The finest son of Itta Bena

I saw him, once.

It was 27 years ago, when I was a lad of 18. In those days, he’d play with some frequency in a Palmer’s Crossing juke joint called the Hi-Hat Club, which was under ordinary circumstances not a place a skinny white kid would likely be welcome. Shootings there weren’t unheard of. Only four years later, a policeman would be hailed as a hero for killing a gunman there, which I remember only because the cop was married to a high school acquaintance. PTSD nearly did the cop in, too.

It was that kind of place, except when it wasn’t. And one of the times it wasn’t was when BB was in town.

Then as now, Mississippi doesn’t have a whole lot to be proud of, but music is something we do well, and BB has been a jewel in the Magnolia crown since the 1940s. He toured tirelessly, playing both fancy venues and dodgy clubs like the Hi-Hat (which, violent reputation or no, is also a stop on the Mississippi Blues Trail).

Anyway, so I went out there. I don’t remember my mother protesting at all, which is either selective recollection or evidence that she didn’t realize exactly where he was playing — and the latter seems really unlikely, because the Hi-Hat wasn’t exactly obscure; even going to Palmer’s Crossing at night was probably enough to worry some folks. Still, out I went, in a 1971 Chevy pickup.

As I recall, I tried to take my girlfriend, who refused to even ask her parents about going. Her relationship with them was weird, I guess, but she was clearly wrong because after I paid my cover and walked in — past the bar, where they served me a Michelob as quickly as I could ask for one, drinking age notwithstanding — I was immediately hailed by her father. In the absence of anyone else I knew, I sat with him and enjoyed the show in a room that was surprisingly mixed. We were absolutely the minority, but BB was BB, and I guess people who loved the music were welcome regardless of shade.

BB has been old forever. He was 89 when he died, which means he was “only” 62 for this particular gig, not that you could tell — the man knew how to work a crowd even though he played from a chair. He was famous for his guitar’s beautiful tone, but let me tell you no recording I’ve yet heard really captured it like I heard it that night. I was thrilled and a little shocked at how blue his stage patter was, but I suspect he tailored that to the room. At the Hi-Hat, where he’d played for decades, my guess is he probably did a lot less editing than he’d do in fancier clubs.

I’ve never sought out another set for whatever reason. I’ve had opportunities, sure, but truth be told my own blues preferences are a little louder and a little later — more Buddy Guy, say. But I’m awful glad I got to see the King, and do so in a small room in a no-shit Mississippi juke joint, illegally drinking beer with my girlfriend’s dad, late into a warm Mississippi night in 1988.

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