Granted, it’s March, but it also seems unlikely anything else I see in 2025 will top Hundreds of Beavers.

The argument is this: a wastrel applejack maker has a reversal of fortune and must survive the Wisconsin woods in winter. It is, above all, a cartoon — but a live action one. It’s not silent, but it has no dialog — eidetic sounds abound; characters grunt or otherwise erupt in exclamatory noises. The visual language is rich and consistent. The film’s look is a perfect hybrid of real and unreal, and the filmmakers achieved this miracle for about $150,000. Thus far, it’s made more than 10x that number.

Our hero must eat to survive, obviously, so his initial challenge is to trap a rabbit. The rabbits and all other animals in the story are represented by people in animal costumes; the viewer accepts this immediately.

There’s a tremendous amount of Warner Brothers vibe here, but also Buster Keaton and the Three Stooges. It’s wry and hilarious and smart, but it achieves this without spoken language. There’s a love interest, a protective father, a video-game worthy progression towards a goal, and deeply hilarious revelations about the state of the beaver scientific knowledge.

Absolutely four stars. My god, what a treat.

An interview with the director is here, and worth your time, but maybe watch it first. The film is apparently available at Amazon, Apple, and Tubi. However, we got to see it on the big screen last night over at the River Oaks Theater, a Houston gem we’ll definitely miss once we’re gone.