Years ago, I met FOAF Pascal in a beautiful and terrible bar in the Heathen Homeland. Then, years later, I discovered a fairly rockin’ tool for web development, and it turned out to be written by the same dude. Neato.

Just now, needing a fresh copy of said tool for some web tweaks — I’d lost mine somewhere, and don’t do much web layout work anymore — I discovered Pascal’s new pursuit is an inventive collective-band type thing called Balthrop, Alabama that includes, among others, his sister as well (sometimes) former members of Rainer Maria. From an April notice in the New Yorker, of all things:

April 18: Balthrop, Alabama is an expansive local folk-rock collective led by the singer, songwriter, and guitarist Pascal Balthrop and his sister Lauren, a vocalist and keyboardist. They grew up singing gospel and pop tunes with their family in Mobile, Alabama, and now the pair and their band play paeans to the lovelorn and the droll. The group, whose name is meant to conjure a fictional town in the heart of Dixie (the band members go by aliases), released an impressive début double album, “Your Big Plans & Our Little Town.” Tonight the “townspeople,” including Kyle Fischer, formerly of Rainer Maria, on lap-steel guitar, turn out for a full-blown hootenanny. The group will be accompanied by the artist Michael Arthur, who will be drawing spontaneous ink-based interpretations of the songs. The drawings will be projected onto a screen behind the stage, in the tradition of a “chalk talk,” a lightning-fast drawing act from the days of vaudeville—practiced by such comic-strip luminaries as Winsor McKay (“Little Nemo in Slumberland”)—that was a precursor to animation. The singer Caithlin De Marrais, also formerly of Rainer Maria, opens.

Amusingly, the video (on their web site) for “God Loves My Country” is that same artist drawing as the song is sung, though it’s sped up a bit, so I imagine it captures a bit of the April show’s bizarre fun. Recommended.