Must. Have.

Tom Waits recorded some music with the Preservation Hall Jazz Band:

On November 19th, Preservation Hall Recordings will release 504 limited edition hand-numbered 78 rpm vinyl records featuring two tracks by the Preservation Hall Jazz Band with very special guest Tom Waits. Proceeds from the sale of this very special project will benefit the Preservation Hall Junior Jazz & Heritage Brass Band.

Mr. Waits traveled to New Orleans in 2009 to record two songs with the Preservation Hall Jazz Band for the critically acclaimed project Preservation: An album to benefit Preservation Hall and the Preservation Hall Music Outreach Program, “Tootie Ma Was A Big Fine Thing,” and “Corrine Died On The Battlefield,” Originally recorded by Danny Barker in 1947, these two selections are the earliest known recorded examples of Mardi Gras Indian chants.

The two tracks will now be packaged in a special limited edition 78 rpm format record, each signed and numbered by Preservation Hall Creative Director Ben Jaffe. The first one hundred records will be accompanied by a custom-made Preservation Hall 78rpm record player as part of a Deluxe Donation package.

Said “deluxe” package is still only $200, and will be available to the first 100 purchases on November 19 at Preservation Hall at 10AM central, or online the day after.

I think I’m about to go buy a plane ticket, as the nice lady at the shop just told me she believes the deluxe edition will only be available onsite. SWA has roundtrips for about $130 for that Friday…

Your Friday Awesome

This just smokes: Talking Heads, “Born Under Punches,” live performance, from nineteen eighty. That’s Adrian Belew, apparently, on guitar, and “oh my God I can’t breathe Tina Weymouth looks so much like an angel. A gorgeous, muscular, platinum blonde angel” on bass. (Via Merlin, who is also the source of the Tina quote.)

This astounding sort of complex multilayered music is still arresting and unusual today, but compare it to, say, the top records of 1980 to get an idea of how weird it was thirty years ago. Make time for this today, especially if your name is “Frank” or “Mike” or “Rick.”

This is delightful

In the 70s, [James Williamson][1] played guitar and shared songwriting duties with Iggy and the Stooges, most notably on on the seminal Raw Power record. The band subsequently broke up, despite the success of Raw Power, and Williamson went back to school before, eventually, joining Sony for the bulk of his electrical engineering career.

Last year, Sony was issuing early retirements, and Williamson took one. The Stooges had of course reformed around 2003, but when Williamson couldn’t rejoin them they’d used their original guitarist Ron Asheton — who died suddenly around the same time Williamson retired, and all of a sudden a former Sony VP was back playing punk rock again (Video link, but short and worth it).

Lives Saved by Rock and Roll

Today’s best phrase: [H]ow a fourth-hand Rat pedal and a borrowed Peavey Bandit can save your life for a little while, from Merlin’s post about music, heros, and saving your soul. (Also, Merlin has excellent taste in heros.)

I don’t think I can overstate how completely TRUE this post is. He totally nails it in all sorts of ways. Plus, I had the “Kurt Bloch” experience with Pat DiNizio in a Memphis bar called Alex’s one time, and it went pretty much the same way. For a certain class of misanthropic types — especially folks like me, and Merlin, who grew up far away from the music centers of our youth — Lou Reed wasn’t kidding or exaggerating when he talked about lives being saved by rock and roll. He was telling the gospel truth.

Now, if you’ll excuse me, I’m going to run the cats out of my office by playing the stereo as God, Lou Reed, Jonathan Richman, and Pat DiNizio intended. Roadrunner once, roadrunner twice…

This is awesome

Widely blogged, I got it at Merlin’s place. It’s from an interview with Choire Sicha and Paul Ford, on the occasion of the latter leaving Harper’s this week, originally published here:

Choire: What is your favorite Alex Chilton video, song or tale?

Paul: My favorite tale is from Our Band Could Be Your Life, when he shut down Gibby Haynes’s rampage through the Netherlands:

Moments later a man entered the dressing room and asked if he could borrow a guitar. “BORROW A GUITAR??!!! WELL, WHO THE FUCK ARE YOU???!!! [Gibby Haynes of the Butthole Surfers] screamed, eyes flashing in delirious anticpation of forthcoming violence. But the man was totally unfazed.

“I’m Alex Chilton,” the man answered calmly.

Haynes was flabbergasted. After a long pause, he methodically opened the remaining guitar cases one by one and gestured at them as if to say, “Take anything you want.”

Alex Chilton, 1950 – 2010

Icon Alex Chilton — how cool do you have to be to get the Replacements to name a song after you? — died today in New Orleans, they say of a heart attack. He was 59.

I need some time to digest this, but Chilton’s music with Big Star and others defines the Heathen college experience as much as any artist other than U2 or the Velvet Underground. Mark Linkous I’ll miss. Barry Hannah, too. But Chilton, man. Damn.

“Won’t you tell me what you’re thinking of / Would you be an outlaw for my love?”

(It occurs to me that many may not know that Chilton also was a Box Top, and sang The Letter, a song that every single one of you know.)

Somehow, I missed this

On 19 January, Brit band The Heavy was on Letterman. They blew the roof off; normally staid Letterman was so excited that he told them to “go again! go again!”, and so they did.

How You Like Me Now?

Don’t miss this. For SRS. It’s James Brown meets hip-hop meets R&B meets, I dunno, the growl and smash of Zeppelin. TOP NOTCH, as a friend of mine used to say.

(Via MeFi, which also links the official video. MeFi also points out why you know this song already. Them kids is goin’ places.)

Best realization at a concert, ever.

Last night, during the U2 show at Reliant — which, by the way, was amazing; it really takes something to pull off a credible rock and roll show at that scale, about which much later — Mrs Heathen pulled my arm to yell in my ear:

“When’s the last time we heard this?”

The song was “Beautiful Day.” The answer: January 18, 2009. At the Lincoln Memorial. With about a million of our closest friends, in the cold and wet joy that was the pre-Inaugural concert.

Today’s random weird fact

Most Heathen are already familiar with the concept of mondegreens, i.e. amusingly misheard music lyrics a la “‘Scuse me while I kiss this guy.”

When you cross languages, though, you can get a whole ‘nother level of weird: Heathen nation, I give you Soramimi. Soramimi are English lyrics that can be misheard as weird Japanese phrases. There are examples at the link.