R.E.M. have called it a day after 31 years, 15 albums (and “Chronic Town”!), and uncountable influence on popular music.
This makes us at Heathen HQ a little sad, but only in a nostalgic way. R.E.M. for ME is the sound of my teen years, rich with twang and jangle and pop, and full of joy, starting the moment I popped a cassette of Lifes Rich Pageant into a boom box in 1986. Twenty-five years later, I’m playing that album in my office as I write this, and some part of my soul is still 16.
While for most of my life, I wouldn’t have hesitated to list the Athens band as one of my all time favorites, in truth my devoted fandom extends only to the mid-90s; Monster is the last record I really and truly enjoyed, and it’s only the first five records that still have a hold on my heart. (I could, for example, never hear “Shining Happy People” again and be perfectly content.)
Consequently, Bill Berry‘s retirement in 1997 was sad to me, but also mostly irrelevant — I bought a couple of the post-Berry “R.E.M. as a trio” records, but never really connected with them in the way I did with other, earlier records.
Here’s five R.E.M. memories, in no particular order, from my own 25 years of fandom:
In late 1986, the aforementioned copy of “Pageant,” my Walkman, and the discovery of something I’d keep for a long, long time.
A fall afternoon in Houston in the late 90s, picking up longtime Heathen and un-indicted co-conspirator Eric from Pizzeria Uno on Kirby; as he gets in the car, the first bars of Murmur bubble out of the CD changer, and he comments that it’s like cool water. That’s still true.
January, 2009, I run into Mike Mills at Washington National Airport as we’re returning home from the Inauguration. Erin says I shouldn’t, but I approach him anyway to quietly thank him for making the music that’s been such a big part of my life. He doesn’t seem to mind.
September 15, 1995, at the Woodlands; Eric and I and many others we know see the band on the Monster tour. It is insanely hot and muggy and miserable, but somehow they transcend it and play a great show (the opener was a little band called Radiohead. Then we all pile back into our cars to catch a now-defunct act at a now-defunct bar. Ah, being 25.
Back when MTV used to play music videos, they’d sometimes hype a premier. On a fall afternoon in 1987, Eric and I rushed back to his parents’ house to catch the first showing of the clip for The One I Love, the first single from Document. Hilariously, I notice now that the director of photography was a pre-culinary-obsession Alton Brown, which makes geographic sense.
Good thing I work at home. I’m pretty sure it’s going to be a loud, jangly, Athensy afternoon here at Heathen HQ. If’n you’d like some video nostalgia of your own, I note that the R.E.M. site has a full video catalog.
For more see the AV Club’s coverage. I love that there’s already a Thank You R.E.M. tumblr. There is of course a long and rewarding thread at MeFi.

